5 Historic Edinburgh Festival venues you shouldn’t miss!

Mark Bogod gives us his pick of the Fringe’s diverse venues; taking in ghosts and football stadiums along the way.

 

Bedlam Theatre

This tiny theatre just off the Royal Mile is notable for being the oldest student-run theatre in Britain (since 1980). Situated in a converted Victorian church, the theatre is named after Edinburgh’s first mental health hospital nearby. During the fringe, students relinquish their control and the theatre becomes venue 49 – although the Improverts, the university improv group still perform nightly and are the Fringe’s longest running improvisation show.

 

Bedlam Theatre, Kim Traynor

 Royal Lyceum Theatre

A wonderfully ornate proscenium arch theatre, the Royal Lyceum was designed C.J Phillips, who designed over 40 British theatres in his time, in the 1880s. In the 1960s, it played host to one of the festival’s most iconic productions, Beyond the Fringe. It is also said to be haunted by Ellen Terry, the leading Shakesperean actress of the late Victorian age, who appeared in the Lyceum’s first show, Much Ado About Nothing.

 

Royal Lyceum Theatre, dancewearcentral

 

Easter Road Football Stadium

This football ground in Leith has been home to Hibernian FC since 1893 (the first match being a friendly against Clyde). It forms one of the most unusual venues of this year’s Fringe, playing host to A Field of Our Own, a play which recounts the founding of the football club by Irish immigrants in 1875.

 

Easter Road

 

Canongate Kirk

The Kirk of Canongate at the eastern end of the Royal Mile is of historical interest for a number of reasons. Built at the end of the 17th century with a distinctive Dutch-style gable at the front, it is the parish church of the Scottish Parliament, Holyrood House and Edinburgh Castle, and the economist Adam Smith is buried there. It was also where Zara Phillips and Mike Tindall got married five years ago. A variety of baroque and folk concerts are set to take place at the Kirk during this year’s festival

 

Canongate Kirk

 

Scottish National Gallery

This enormous neo-classical building in the heart of the city had its foundation stone laid by Prince Albert in 1850 and houses works by El Greco, Botticelli, Monet among countless other paintings within the Scottish national collection of art. Aside from its temporary exhibitions, the museum will play its part in the Fringe by playing host to Phil Jupitus, who everyday will be sketching a work of art (there or at one of the other big Edinburgh museums) on his ipad in front of anyone who wants to come along!

 

National Gallery

 


The writers of COLUMNS talk loss, honesty and magic

Claire Leibovich interviews Alex Hartley and Laura Day about the play they wrote together, COLUMNS.

 

Credit: Lucie Termignon

Credit: Lucie Termignon

 

So, what is COLUMNS about?

 

LAURA COLUMNS is a play about the loss of people and things in our lives, and about our changing relationships with our parents. The two main characters have particularly fraught relationships with their parents: Joe’s have inexplicably vanished; Sophie has cut ties with her dad and her mum has literally run away to Russia.

ALEX Every character in the play has lost something and, perhaps without realising it, is looking for something. It all takes place in a funny sort of world with its own slightly different rules. Coincidences mount, everything becomes strangely interconnected. You begin to wonder if magic isn’t creeping in at the edges.

 

Why did you choose to write about the topic of parent-child relationships?

 

ALEX We wanted to write and perform a play that lots of people could relate to, that would feel familiar somehow. We’re aware that everyone has a different experience of family and parents, but with COLUMNS we’re opening our arms and asking audiences to take whatever they can from our story.

LAURA Open arms is definitely key! Our aim has always been to be honest with the audience, I think. We want them to see that what they’re watching is the result of trial and error, a lot of puzzling. We’re going to show our working, I guess – demystify the process.

 

What has the writing and devising process been like?

 

ALEX: We’ve been going back and forth with ideas since December, working out the world of the story and getting to know the main characters. It was quite slow at the start though because we were living in different countries, so all the work had to happen over Skype. It wasn’t that fun…

LAURA No… It wasn’t until around May that Alex started writing bits of scene and prose. These were useful in our early rehearsals as a springboard for developing the characters and the moments in the play. It can be exciting to improvise around a snippet of dialogue.

ALEX The script for COLUMNS has pretty much come out of those early rehearsals – we learnt a lot about the characters from just messing around! We still play a lot of games in rehearsals, using props and music. We also record our conversations and rehearsals so we don’t lose track of the process. They might come in useful later on.

 

Credit: Lucie Termignon

Credit: Lucie Termignon

 

What do you want the audience to get out of the play?

 

ALEX It’s at 10.55am so hopefully it’ll put them in a good mood for the rest of the day! Seriously though, it would be great if people left thinking afresh about the people in their own lives and those they encounter. We want them to feel like they’ve been on a kind of journey with us and our characters.

 

You’re running ‘Relaxed Performances’, what does that entail?

 

LAURA Yes, we’re doing them on the two Thursdays of our run! The main goal of Relaxed Performances is to provide a more comfortable and welcoming environment for people with autism, a learning disability or a sensory or communication disorder. The theatre can be an over-stimulating and unfriendly environment for many people.

ALEX The people we’ve contacted within the accessible theatre community have been incredibly encouraging and generous with their advice and support. It’s been quite moving actually.

LAURA When we told Paul Wady of Guerilla Aspies that we felt nervous about our Relaxed Performances, he said the most reassuring thing: ‘You won’t get it right for everyone. You’ll definitely fail someone in the audience. But the important thing is you’re trying.

 

COLUMNS will be at theSpace on the Mile (Venue 39) from 14th -19th  and 21st – 26th August.