By Martha Crass
So, you’re heading to Edinburgh, planning to indulge in one of the most unconventional, brilliant and rainy festivals the UK has to offer: the Fringe. Like many, you may have trekked from afar to get here, and after a restorative deep-fried Mars Bar and a refreshing Irn Bru you’re ready to hit the festival.
You soon become faced with a difficult, but clear, choice: you can go to the big-name, award-winning, touring musical that’s about to transfer to the West End, which has received unanimous five-star reviews from critics; or a piece of amateur new writing which is being performed in the back room of a local primary school. The box office for this is literally a shed, and odds are you’ll be one in an audience of three. So, naturally, you make the obvious decision and go for the latter, and -
Wait, what? You mean you DON’T want to experience a show whose only five-star review is from the director’s mum?
The thing is, there will always be performers at the Fringe who, after their sell-out runs in Edinburgh, are going to be spreading their professionally-trained, well-funded wings and taking off to greater theatrical heights. But why are you coming to the Fringe if you’re not willing to be a little uncomfortable? Not that you should avoid any show that looks a little too slick; if anything, seek these out! Enjoy! Relish! But don’t let these define your whole Fringe experience: see something on a whim based on a random flyer, see something from a group you’ve never heard of, see something outright, undeniably, unforgivably bad.
Sometimes (quite often, really) it’s the Fringe first-timers, or the stuff which sounds pretty dubious, that can surprise you. And the joy of this is: you’ll never know which are the good ones. So wade through all the bizarre melodrama and gut-wrenchingly funny attempts at tragedy; go and feel horrifically uncomfortable as an improv troupe fails miserably at the one thing they claim to do well; and then you might find something truly brilliant.
Part of the Fringe is about venturing out of your comfort zone, encapsulated particularly aptly by the theme this year: try venturing ‘into the unknown’, and you might be pleasantly surprised.
At the very least, a lot of those shows might be free, and there’s no arguing with that.